Dave Brubeck

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David Warren "Dave" Brubeck (December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered to be one of the foremost exponents of cool jazz. He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting his mother's attempts at classical training and his improvisational skills. His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities.

His long-time musical partner, alto saxophonist Paul Desmond, wrote the saxophone melody for the Dave Brubeck Quartet's best remembered piece, "Take Five",  which is in 5/4 time and has endured as a jazz classic on one of the top-selling jazz albums, Time Out. Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, "World's Fair" in 13/4, and "Blue Rondo à la Turk" in 9/8.

He was also a respected composer of orchestral and sacred music, and wrote soundtracks for television such as Mr. Broadway and the animated miniseries This Is America, Charlie Brown.
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montage

#1
https://www.youtube.com/watch?v=vmDDOFXSgAs


Take Five" is a jazz piece composed by Paul Desmond and originally recorded by the Dave Brubeck Quartet for its 1959 album Time Out. Made at Columbia Records' 30th Street Studio in New York City on July 1, 1959,  two years later it became an unlikely hit and the biggest-selling jazz single ever.  Appearing since on numerous movie and television soundtracks, today it still receives significant radio play.

"Take Five" was for several years during the early 1960s the theme music for the NBC Today TV program, which played the opening bars half a dozen times or more each day.

Written in the key of E-flat minor, the piece is known for its distinctive two-chord  piano vamp, catchy blues-scale saxophone melody, inventive, jolting drum solo,  and unusual quintuple (5
4) time, from which its name is derived.

Brubeck drew inspiration for this style of music during a U.S. State Department-sponsored tour of Eurasia, where he observed a group of Turkish street musicians performing a traditional folk song with supposedly Bulgarian influences that was played in 9
8 time (traditionally called "Bulgarian meter"), rarely used in Western music. After learning from native symphony musicians about the form, Brubeck was inspired to create an album that deviated from the usual 4
4 time of jazz and experimented with the exotic styles he had experienced abroad.

Although released as a single initially on September 21, 1959, the chart potential of "Take Five" was fulfilled only after its re-release in May 1961, reaching No. 25 on the Billboard Hot 100 on October 9 that year and No. 5 on Billboard's Easy Listening chart three weeks later.[8] The single also reached No. 6 on the U.K.'s Record Retailer chart.  The single is a different recording than the LP version and omits most of the drum solo.

The piece was also chosen to promote Columbia's ill-fated attempt to introduce  33 1⁄3 rpm stereo singles into the marketplace, in 1959. Along with a unique stereo edit of "Blue Rondo à la Turk", it was pressed in very small numbers as part of a promotional set of records sent to DJs in late 1959.

The Dave Brubeck Quartet first played "Take Five" to a live audience at the Village Gate nightclub in New York City in 1959[exact date?]. Over the next 50 years it was re-recorded many times, and was often used by the group to close concerts: each member, upon completing his solo, would leave the stage as in Haydn's Farewell Symphony until only the drummer remained ("Take Five" having been written to feature Joe Morello's mastery of 5

Some of the many cover versions feature lyrics co-written by Dave Brubeck and his wife Iola, including a 1961 live recording sung by Carmen McRae backed by the Dave Brubeck Quartet. Al Jarreau performed an unusual scat singing version of the piece in Germany in 1976.
Desmond, upon his death in 1977, left the performance royalties for his compositions, including "Take Five", to the American Red Cross,  which has since received combined royalties of approximately $100,000 a year.
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#2
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