Andrew Lloyd Webber

[Ron Phillipchuk]

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1=Memory
2=Starlight Express
3= I Don't Know How to Love him


Andrew Lloyd Webber, Baron Lloyd-Webber  (born 22 March 1948) is an English composer and impresario of musical theatre.  Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Several of his songs have been widely recorded and were hits outside of their parent musicals, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" and "You Must Love Me" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats. In 2001 the New York Times referred to him as "the most commercially successful composer in history". Ranked the "fifth most powerful person in British culture" by The Telegraph in 2008, the lyricist Don Black stated "Andrew more or less single-handedly reinvented the musical."

He has received a number of awards, including a knighthood in 1992, followed by a peerage from Queen Elizabeth II for services to Music, seven Tonys, three Grammys (as well as the Grammy Legend Award), an Academy Award, fourteen Ivor Novello Awards, seven Olivier Awards, a Golden Globe, a Brit Award, the 2006 Kennedy Center Honors, and the 2008 Classic Brit Award for Outstanding Contribution to Music. He has a star on the Hollywood Walk of Fame, is an inductee into the Songwriter's Hall of Fame, and is a fellow of the British

His company, the Really Useful Group, is one of the largest theatre operators in London. Producers in several parts of the UK have staged productions, including national tours, of the Lloyd Webber musicals under licence from the Really Useful Group. Lloyd Webber is also the president of the Arts Educational Schools London, a performing arts school located in Chiswick, West London. He is involved in a number of charitable activities, including the Elton John AIDS Foundation, Nordoff Robbins, Prostate Cancer UK and War Child. In 1992 he set up the Andrew Lloyd Webber Foundation which supports the arts, culture and heritage in the UK.

[Ron Phillipchuk]

https://www.youtube.com/watch?v=kjgDxfqJci0

"Memory", often incorrectly called "Memories", is a show tune from the 1981 musical Cats. It is sung by the character Grizabella, a one-time glamour cat who is now only a shell of her former self. The song is a nostalgic remembrance of her glorious past and a declaration of her wish to start a new life. Sung briefly in the first act and in full near the end of the show, "Memory" is the climax of the musical, and by far its most popular and well-known song. Elaine Paige originated the role of Grizabella in the West End production of Cats, the first to publicly perform

Barbra Streisand recorded "Memory" (recording produced by Lloyd Webber himself) for her 1981 album Memories. When released as a single, Streisand's cover reached No. 52 on the Billboard Hot 100 chart and No. 9 on the Billboard adult contemporary chart in 1982. In the UK this version peaked at No. 34 the same year.[7] A music video was made for her version of the song; it was filmed with only one camera on a set resembling a recording studio, and utilized some vintage stock footage of New York City and New Year's Eve parties to make the mood melancholy. The video was produced by Chips Chipperfield. The single sold 749 000 copies in France and is the 231st best-selling single of all-time in the country.

[montage]

https://www.youtube.com/watch?v=LacsWzhD1QI


The Starlight Sequence is a showstopper from Andrew Lloyd Webber's Starlight Express. It is performed by Rusty, a young, naive Steam Locomotive and the Starlight Express, a magical Steam Locomotive that comes at midnight to help Steam Locomotioves in need. Rusty, who wants to compete in the world championship railway races, has lost self belief because Greaseball and Electra have been taunting him, and his coach, Pearl has dumped him for faster locomotives. In this number, the Starlight Express, sent by Rusty's father, Poppa, has come to tell Rusty that true power comes from within.

[admin]

https://www.youtube.com/watch?v=lS2nX4fuzqc

"I Don't Know How to Love Him" is a song from the 1970 rock opera Jesus Christ Superstar written by Andrew Lloyd Webber (music) and Tim Rice (lyrics), a torch ballad sung by the character of Mary Magdalene. In the opera she is presented as bearing an unrequited love for the title character.

The song has been much recorded, with "I Don't Know How to Love Him" being one of the rare songs to have had two concurrent recordings reach the Top 40 of the Hot 100 chart in Billboard magazine, specifically those by Helen Reddy and Yvonne Elliman,  since the 1950s when multi-version chartings were common.

"I Don't Know How to Love Him" had originally been published with different lyrics in the autumn of 1967, the original title being "Kansas Morning". The melody's main theme has come under some scrutiny for being non-original, being compared to a theme from Mendelssohn's Violin Concerto in E Minor. In December 1969 and January 1970, when Andrew Lloyd Webber and Tim Rice completed Jesus Christ Superstar, Rice wrote new lyrics to the tune of "Kansas Morning" to provide the solo number for the character of Mary Magdalene (Rice and Webber's agent David Land would purchase the rights to "Kansas Morning" back from Southern Music for £50).  Now entitled "I Don't Know How to Love Him", the song was recorded by Yvonne Elliman and completed between March and July 1970. When first presented with "I Don't Know How to Love Him", Elliman had been puzzled by the romantic nature of the lyrics, as she had been under the impression that the Mary she'd been recruited to portray was Jesus's mother.

Recorded in one take at Olympic Studios in June 1970, "I Don't Know How to Love Him" has been universally acclaimed as the high point of the Jesus Christ Superstar soundtrack since the album's September 1970 release; in 2003 The Rough Guide to Cult Pop would assess Elliman's performance: "It's rare to hear a singer combine such power and purity of tone in one song, and none of the famous singers who have covered this ballad since have come close."

The choice for the first single release went, however, to the track "Superstar" by Murray Head. When a cover of "I Don't Know How to Love Him" by Helen Reddy began moving up the charts in the spring of 1971 the original track by Yvonne Elliman was issued as a single to reach No. 28, although Reddy's version was more successful at No. 13.

In early 1972, Elliman's "I Don't Know How to Love Him" was issued in the UK on a double A-side single with Murray Head's "Superstar"; with this release Elliman faced competition with a cover of "I Don't Know How to Love Him" by Petula Clark, but neither version became a major hit, Elliman's reaching No. 47 and Clark's No. 42. Tim Rice produced several additional tracks for Elliman to complete her debut album.

Elliman performed "I Don't Know How to Love Him" when she played the Mary Magdalene role first in the Broadway production of Jesus Christ Superstar, which opened at the Mark Hellinger Theatre 12 October 1971, and then in the movie version, her respective renderings being featured on both the Broadway cast album and the soundtrack album for the film.

Her version of "I Don't Know How to Love Him" from the movie soundtrack gave Elliman a hit in Italy (#21) in 1974. Elliman has also performed "I Don't Know How to Love Him" when revisiting her Mary Magdalene role, first at a Jesus Christ Superstar concert by the University of Texas at El Paso Dinner Theatre staged 14 April 2003, and then for a live-in-concert one-night only performance of Jesus Christ Superstar on 13 August 2006 at the Ricardo Montalban Theater in Los Angeles.

[admin]

https://www.youtube.com/watch?v=Hia4cj8PLSg

The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart and Richard Stilgoe.

Lloyd Webber and Stilgoe also wrote the musical's book together.  Based on the French novel Le Fantôme de l'Opéra by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath the Opera Populaire.